Where Was I? by Tom Gillespie

Tom Gillespie is a Scottish-born writer now living in exile in Bath, England. His debut novel, Painting by Numbers, was a Finalist in the People’s Book Prize for Literature, 2013. His short stories have been published worldwide. He is currently working on his third novel and also on a collaborative arts project with fellow Scottish writers and artists. He is a graduate of Glasgow University, and alongside his writing habit he works as an English Lecturer.


 

Where Was I?

 

That’s where ah wis but ah’m no there noo. Must be six months or mair. Keep up. Where the fuck’s yer heed? Ah’m oot at Struthers an’ Tipp noo, where Big John works. Oh come on, ye know Big John. John wae the dug wae wan ear. Whitshisname? The cunt that borrowed yer golf clubs an’ never gied ye them back. Him. Anyway. It’s no that bad up there. No a lot in it tae be honest. Ah’m oan wan o’ they new flexitime contracts where they can gie ye the shunt whenever it suits them. Ah’m no that bothered. It’s no like ah wis the fuckin’ CEO at ma auld place, an’ their pishy contract wasnae worth the shite it wis written wae. Who wur they kiddin wae their fuckin’ package o’ fuckin’ benefits shite? The work’s fine an’ the team ah’m wae ur awright. An’ at the end o’ the day, a blocked shitter is a blocked shitter. Com si com sa.

So where huv ye been hidin’ then? Huv ye been a naughty boy again? Mary said she saw ye in Asda wae anithir wummin. Ur you an’ Carol oan the scrapper? If yis ur, yer in big trouble, young man. Ye’ll be hard pushed tae land anyone else daft enough tae pit up wae your pish.

Did ah tell ye ah goat ma results back on Tuesday? The doacter says ah hufty cut doon on the smokes afore he’ll refer me tae the hoaspital. It’s anuff tae drive ye tae an early grave. He’s pit me oan they stupit patches an’ the gum, an’ ah’ve boat wan o‘ they plug in peace pipes but ah canny work the fuckin’ thing. Ah’ll be fucked if ah let that stuck up overpaid ringpiece tell me whit a should an’ shoudnae dae wae ma ain fuckin’ lungs.

Still, needs must an’ awe that.

That reminds me. If yer efter a bit o’ cash there might be sum work goin’ up at Struthers an’ Tipp. Don’t gie me that look. Ye don’t need tae know anythin’ aboot plumbin’, they’re always efter folk tae clean oot the tanks at their plant at Uddingston. If ye let me know where ye ur noo, ah kin pass oan yer details, if ye want me tae. Just gees a ring when ye get hame.


You can learn more about Tom’s work at his website, tom-gillespie.com. Tom can be contacted via Facebook, email (tom@tom-gillespie.com), and Twitter (@tom_gillespie).

View of the Sea & Leaving the House on December 27th by Andrew Blair

Andrew Blair is a writer and performer living in Musselburgh, with credits in Gutter, Valve, and Umbrellas of Edinburgh. Along with Ross McCleary, he has put on award-winning and five-star Edinburgh Fringe shows, and produces the Poetry as F*ck podcast. His debut collection, An Intense Young Man at an Open Mic Night, is out later this year through House of Three Press.


 

View of the Sea

 

Top deck,

Trundling along the coast;

Specked with light, the sea

Awaits. It

Makes me feel peaceful,

A pleasant melancholy,

Even though I do not know why.

The sea is of the same stuff

As seventy-one percent of the Earth’s surface.

This figure is rising.

The sea is coming for us all.

The water

Is going to win.

Still,

It makes me feel peaceful.

A pleasant melancholy.

*

 

Leaving the House on December 27th

 

This is not my house.
A short walk away
There’s a loch, and see
–A short walk away–
There’s another;

No one is fishing on them,
Thus
Rendering both lochs
Poetic.

This stillness, so enhanced
By hiss and rush,
This hiss and rush of water
And, in the distance, time;

I want to compliment it further, but
There is this system, playing
Catch up to win.
The ship comes in
That will take me home,
Back to my own house.


Andrew can be contacted via Twitter, @freelance_liar.

The Cyst by Jenny Gray

Growing up in rural Aberdeenshire, Jenny attended The University of Chester to study English with Creative Writing. After graduating, she moved to Vancouver where she wrote her first novel, The Lightning Tree, which was shortlisted for the Mslexia Women’s Novel Competition in 2013. Upon her return to Scotland, Jenny obtained an MSc in Creative Writing from the University of Edinburgh. Her short fiction and poetry has appeared in a number of publications including Pandora’s Box, And Other Stories, Northern Renewal, Passages, and Glasgow Women Poets. Jenny lives in Edinburgh where she works as a copywriter.


 

The Cyst

 

It whispers to her as a friend might. She can forget it is there and then, just when she has lapsed back into her everyday life–perusing fruit in the supermarket–its voice creeps back into her head.

She remembers a story about a man who became horrified by his own skeleton. She pauses by the peaches. Her hand hovers over the felted fruit and she thinks: it’s not that.

No, agrees the cyst and then is quiet once more.

She isn’t like the man who hated his own bones. She has come to admire the cyst. Sometimes when she is lying in bed, caught in the fissure between dreaming and waking, she will run the palm of her hand over the bunched, distorted flesh, feel how the fat beneath the surface ripples away like water trapped in a plastic bag.

When her flatmate moves out she doesn’t think about getting another. The cyst is enough. She moves her things into the empty room, she takes the kitchen table through and pushes it against the long windows so she can sit and look out over the river and the park. She could use the rent; in the colder months she watches her breath plume out before her. When she was a child it was a playground game–pretending to be a dragon or a train. Now the breath hangs in the air, a reminder like the unpaid bills stacked up in the hall.

She finds she’s eating less. Hunger has slipped away with the leaves from the trees. Her clavicles are two razor clams trapped beneath the snare of her skin. She’s taken on new angles, her bent arm the sharp ‘V’ of geese flying southwards. In the soft hollow of her underarm the cyst stays plump and full of promise. The embryo of its essence hums to her as she lies basking in the sunlight that falls onto her unmade bed.

Don’t move, says the cyst. She doesn’t. Days creep away, folding into nights; they are short and hot and filled with carnival noises. Then suddenly they’re cooling once again. She dozes as fireworks pop in the sky.

The pressure is building. It wakes her in the night like labour pains. Her skin is hot and sticky and when she feels in that familiar place, the cyst is different, ruptured somehow. Hot fluid comes away with her hand and something else too. Something brittle. She sits up in bed, crosses her legs and looks down at her cupped hands. There, sitting in her palm, like some poor rescued insect, is a tiny woman. She’s fragile, her bones visible beneath her skin, the nails on her fingers and toes have grown too long, the ends of her hair are chewed dry. But there, in the hollow of the miniature right arm is that familiar bubble, swelling ovular beneath the tautness of her skin. She is exact and she is perfect.


Jenny can be reached via email, jennylindsaygray@gmail.com.

Pike Hill by Gordon Robertson

Gordon Robertson is a writer and filmmaker from Central Scotland. His work has appeared in Storgy Magazine, Ink Sweat & Tears, Negative Assets Zine, Shift Lit, [Untitled], Octavius Magazine, Short Fiction Break, Bunbury Magazine, Flash Fiction Magazine, and Fictive Dream. His latest short film, The Chair, has been screened in more than a dozen countries and has won a number of international awards.


 

Pike Hill

 

“You can see everything from here,” she used to say, as we’d stand shivering at the top of Pike Hill, our arms warm in thick, puffy jackets, yet still clumsily wrapped around each other like the teenagers we were. We craved the heat the other generated, irrespective of the weather. Heat hung from Kissy like a bedsheet over a balcony: thick and billowing, clean and enticing. I couldn’t get enough of it. And so, on Saturday nights, with both our part-time jobs newly done and an hour or so left before our parents could reasonably expect us home, we’d take the broken path through the darkening St George’s Park and climb Pike Hill, where we’d stand, glued together, Kissy smiling through the fullest, reddest lips I’d ever seen in all my fifteen years and saying:

“You can see everything from here.”

And we could. We could see the winking lights of High Ludditch over to the west–pubs and clubs and low-roofed houses, with the occasional late-closing betting shop still sweeping up, in more ways than one. We could see the floodlights at the four corners of Weams Park, where Weams Athletic went to great pains to lose gallantly once a fortnight and everyone went home proud as punch. The council allowed the floodlights to stay on after a game as it was cheaper than lighting the streetlamps nearby, or so they said. And way off to the east, following the snaking River Anson, we could see the high flats near Hinkton, where Kissy’s cousin Trish used to live, before her brother jumped off one of them and the entire school turned up at the funeral. Trish used to tell Kissy she could still hear her school-pals crying sometimes when she couldn’t sleep. The mum and dad divorced not long after and Trish went to live in Wales with an older sister. She manages a bingo hall now, last I heard.

Of course, it wasn’t real love, what Kissy and I had, although we thought it was. We were fifteen and we’d never touched a body other than our own before. To us, the fumbling and squeezing was an intimate miracle, a revelation, as though someone had lifted a veil or pulled aside a curtain and LOVE–in huge capital letters–had suddenly appeared, cocking its head and crooking its finger. “Come in, come in”, it seemed to say. And in we’d rushed, all guns blazing, tripping over arms and legs and sharing the embarrassment of nudity. I used to see lights in Kissy’s eyes when we kissed, and I’d wonder what worlds were in there–what she was thinking–where she was going in that moment. Me, I knew exactly where I was going: deeper into an obsession whose depths I still can’t fathom, twenty-five years later, long after Kissy’s death on the railway crossing outside Low Falkland the day after we’d rowed over something I can no longer remember.

I’m married now, with three kids. I love my wife. We still hold hands when we walk and we say ‘I love you’ when one of us leaves the room. We’re going to be together until our deaths. But she’s not Kissy. She’s not the girl I stole a toy ring for, pretending it was real and we were engaged. She’s not the girl whose name I carved into my arm with a breadknife, before stumbling into the bathroom and sticking it under the hot tap, half-collapsing with the pain. And she’s not the girl I ran after through the rain one Saturday night, throwing apologies at, begging her to slow down, to stop, to come back. I’d screamed at her on the top of Pike Hill minutes before, accusing her of infidelity and threatening my own. I didn’t mean a word of it. I was lashing out. I’d seen her talking to a boy a year older at break on the Friday and it hurt. It hurt like the world had ended. I was being stupid and childish, because I knew Kissy would never cheat. But as I said, we were teenagers, and it wasn’t real love, or anything like it.

But my god, it felt like it was.


Gordon can be reached at his email address, gordon.robertson@rocketmail.com.

The Visit by Rosa Whelan

Rosa is a sociology student from Dublin who is currently on an exchange at the University of Edinburgh. She has previously had work published in Liberty Newspaper, Oscailt Magazine, and The Clock Tower Ghost and Other Stories.


 

The Visit

 

The whole place reeks of insanity, white tiles and fluorescent ceiling lights. I feel my mother squeeze my shoulder as we step inside, through the second set of doors.

‘Catherine,’ Granny says, when she sees me. She’s sitting alone, on a leather armchair by the window. There are no metal bars. I’m grateful for that at least. ‘Catherine, I can hardly believe it.’

I look at Mum. She smiles too widely, first at me, then at her mother. I try to do the same. I can feel the edges of my mouth falter, feel tears build up painfully behind my eyes. Granny’s not looking anymore. She’s watching the flickering black and white movie on the TV behind us. I can taste salt on my lips.

Another old woman stands up and clasps my arm. ‘Cheer up, pet,’ she says. ‘Cheer up there now.’

On the car ride home Mum apologises. I stare out the window trying to blink away the blurriness of the road.

‘Still,’ Mum says eventually. ‘I wonder who Catherine was. I don’t suppose we’ll ever know now.’


Rosa can be reached via email at rosa.whelan@hotmail.com.

Wise Old Owl by Paul Cowan

Paul spends his days working as a welder at home and abroad. This is where he collects most of his material–through the people he works with and day-to-day life experiences. Paul has had poetry and short stories published in magazines like Untitled, The Grind, Octavious, and an anthology called Alight Here by Alan Bisset.


 

Wise Old Owl

 

“How the fuck did Iain Banks create a world inside a bridge an’ dae it sae masterfully?” Del thought out loud as he dipped his brush into the red paint and stared out over the kingdom.

He looked over the edge and imagined being dead before hitting the water. The papers had stopped documenting most of the jumpers because there were so many nowadays. The rail bridge seemed to be a favourite diving board for the end-of-life club; they would get off the train at Dalmeny and sneak along undetected, then start the long upwards climb until the terminal tilt and final farewell to Edinburgh and Fife.

“Wit ye thinkin’, Del?” spat an elderly voice from behind. Del turned to see Gilbert Crow standing a few feet away on the scaffold, a fag hanging from his crooked gub.

“Jist the usual shit, Gil, ye ken?” Del replied. “How much money av no got, how long av no hud ma Nat King Cole, an’ how long it wid take afore ye hit the water below if ye ever took the notion tay take a brave step aff intay the thinnest ay air!”

Gil screwed up his eyes and blew out a puff of yellow smoke that was instantly kidnapped by the wind–a constant this far up. “Ah worry aboot you, Del, ah really do,” he said. “Folks come fae aw o’er the world jist tae spend a few moments takin’ in the spectacle ay Arrol’s bridge, an’ you’re talkin’ aboot how long it wid be afore ye hit the water! Deed that is, ya fuckin’ numpty!”

“Listen Gil, am no thinkin’ ay jumpin’, but loads ay punters must git these morbid thoughts noo and again, likes. Ah hink bein’ this high up does hings tay yer heed, ken?”

Gil put his hands firmly on the handrails and inched slowly towards Del until his knee was touching his shoulder. “Move o’er an’ move yer paint tin,” he said.

“Wit fur auld yin?” said Del. “Am tryin tay feenish this leg afore Hitler comes an’ bags me fur yappin’ tay you!”

Gil moved the paint and slowly slid in beside Del, putting an arm across his shoulder as if to steal some of his heat. “Av been watchin’ ye over the last few months, son, an’ ye’v no been yersel,” he said.

Del was a little suspicious of Gil’s voyeurism. “Wit day ye mean ye’v been watchin’ me, ya auld perv? Are you yin ay they predators thit linger aboot in online chat rooms?” He noticed Gil’s hand and nicotine fingers, and wondered how many fags he’d eaten to do such a professional paint job on that skeletal skin. There must have been at least ten different shades of brown crud stacked up against his sabre-like finger nails.

Gil’s eyes narrowed to slits. “Av been aroon’ a few years longer thin you, son, an’ am no a bad judge ay character. How long huv us two been up here on nights, an’ how many blethers huv we hud?”

Del smiled a little and leaned into his colleague. “Must be close tay two an’ a half thoosand blethers at least, auld yin.”

“Aye, it must be aroon’ that figure,” croaked Gil. “When two folk work the gither for as long as we’ve worked the gither, then a hink that qualifies yin hof ay oor partnership tay rise up above jist being his brother’s keeper an’ notice if somethin’s wrong.”

Del grinned. “Thanks fur yer concern, Gil, but am fine. Ah honestly am. Am a grown man, thirty years auld. Ah dinny need the world’s auldest baby sitter oan ma case!”

Gil laughed and pulled himself up to a standing position in three short, painful instalments. “Auldest baby sitter? Ya cheeky wee shite! Av got lunch boxes in the hoose aulder thin you!”

Gil idled over the scaffold planks towards the works canteen and looked back at Del. His young colleague was staring down through a gap in the boards at a passing tanker heading for the BP in Grangemouth.

“Am gon tay check the urn tay see if the water’s boiled fur oor coffee!”  Gil shouted, his voice battling against the howling gusts that swirled and roiled this high up.

Del didn’t look up. “Nay bother, Gil!” he shouted back. “Jist mind an’ check they mince pies on the lid in the broon bag!”

“Aye son, ah’ll dae that!” replied Gil. “Soon as av done a pish!”

Gil disappeared down the ladder and into the canteen. Del glanced up to make sure the coast was clear. Satisfied, he pulled out the letter from his trouser pocket and turned it over. It was still sealed. He looked back up towards the ladder.

“Wise old owl,” thought Del out loud, safe in the knowledge that he wouldn’t be heard. Then he lifted the envelope that held his goodbye words, ripped it into a million pieces, and sprinkled it down onto the welders crackling like brittle firewood below.


Paul can be reached via email at tampoh1234@gmail.com.

Don’t by Sarah Richman

Sarah recently graduated from Macalester College in St. Paul, Minnesota with cum laude degrees in Creative Writing and International Studies. Her fiction and poetry are published in Chanter Literary Magazine and in Thistle Literary Magazine. Sarah is currently based in Washington, D.C., where she is working on her first novel.

Sometimes the world gets smaller before it gets bigger. Don’t is a short story about Eddie, a child whose family has changed in ways that he doesn’t understand yet.


 

Don’t

 

It was the last day of summer, and in the morning it rained. Eddie pressed his nose against the living room window. He watched the raindrops drip down the glass and into the yard, which had already turned to mud. The house was quiet. Eddie listened to the rain plinking off the roof and in the gutters. It sounded like maybe it would rain forever and would wash away everything, the cars and the yards and the sidewalks, and he would never get to go to second grade because the school would wash away and everything would be mud.

Eddie removed his nose from the window, leaving a smudge. The situation was serious. He decided to prepare. When the world washed away, he would not. He would be ready. Eddie slid down from his perch on the couch, sending his mother’s red throw pillows tumbling to the floor. He left them there. Her bosses let her do her lawyer work from home, so she was busy in her office downstairs with the blinds always shut. She probably didn’t know it was raining. Eddie would warn her later.

He rubbed at his nose and thought about what he would need to do first. The rain began to blow against the windows, tiny taps against the glass. Waterproof. He had to be waterproof. Eddie went to the boot tray by the front door and put on his green galoshes, and then opened the coat closet and pulled his raincoat from the hanger. Eddie zipped it up as far as it would go. The zipper tickled his chin. “Phase one: complete,” he whispered.

The coat closet was, like everything else in the house, carefully organized. Eddie looked up at the sweaters and raincoats and jackets, lined up by who was supposed to wear them. His father had gone on another trip. His hangers were all empty. He must have known it would rain. His hangers looked like knobby wooden shoulders, bunched up next to the ink-stained black coats that Eddie’s mother wore and the rows of Eddie’s brother’s things that always looked nice and new. His father had wanted to donate them, but his mother said no. Eddie was glad. He liked Neil’s coats, with the gum wrappers and pennies and his bus pass still in the pockets.

Eddie reached up and pulled Neil’s raincoat down too. He would be doubly waterproof, just to be sure. The shiny red fabric still had its familiar plastic-and-brother smell. It hung past his knees. Eddie puffed up his chest and pulled both hoods over his head, pulling the elastic so that he could still see. “Phase one: super complete,” he said to the hush of the hall, “Complete for real.”

The wet taps on the window grew louder as the wind picked up. Eddie could hear it whooshing around in the living room fireplace. He tugged at Neil’s sleeves. It would rain forever, he thought, and the wind would blow everything into the mud and the puddles, all the houses and all the people, and there would be no second grade for him or for anybody. Downstairs, the fax machine whirred. Downstairs. Down. Up. Eddie would go up. He would be a pilot. He would fly away from the rain and the wind and he would only land, he decided, when it was sunny again.

Eddie had read enough picture books to know that if somebody wanted to be a pilot, they had to wear a cap and goggles and a leather jacket. It was a law. He would ask his mother about it later, but he was pretty sure. Eddie rocked from his heels to his toes and back again, thinking. He stopped. There was a leather jacket in Neil’s room.

Eddie went upstairs and crept down the hall, holding his breath, making sure that his galoshes only made small squeaks. It was important to be quiet, like a ghost. One night at the beginning of the summer, not too long after his mother started doing her lawyer work downstairs and closing all the blinds and curtains, Eddie heard his father go into Neil’s room. Eddie heard him saying something. He got out of bed and pressed his ear to the wall, but his father’s voice was too quiet for him to hear the words. When he came in to kiss Eddie goodnight, his cheeks were wet. He started taking his trips after that.

Eddie reached the door. There was a small crack near the hinges, and two stickers that looked like they were stuck there without a lot of thought. One was from a Granny Smith apple. The other was from a band Neil used to like, a shiny red mouth sticker with a shiny red tongue and round white teeth. Eddie turned the doorknob and walked into the room. He wanted to say, “Phase two, part one: complete,” but he didn’t.

Neil’s room smelled just like his raincoat, only there was more of it. The air was full of Neil. The bed was unmade, as it always was, next to the nightstand with the cards and the little orange candy jars on it, and the guitar leaning against it on the ground. Clothes were piled around the bed and by the bookshelf: pants, shirts, unpaired socks. Eddie didn’t see a leather jacket. It was in the closet, maybe.

The closet door was closed. Eddie made his way over to it, turned the doorknob, and pulled. It didn’t open. Eddie frowned and puffed out his cheeks, but pilots needed to be brave and not quit, so he tried the door a second time. It didn’t open. Eddie stood in front of the door, thinking. Outside Neil’s window, rain came down on the roof like it didn’t know how to be quiet, just how to fall down and down and down.

Thunder began to rumble. Eddie’s stomach rumbled too. He remembered that it had been a long time since breakfast. He took one of Neil’s candy jars of the nightstand and tried to open it, but the white top wouldn’t come off. Neil loved his candy. He ate his candy in the morning and at night, even in the afternoons sometimes. He said it made his stomachaches feel better. Neil never let Eddie have even one piece, which wasn’t fair at all. There were more than enough to share.

Eddie put the candy jar back and jammed his fingers into the pockets of Neil’s raincoat. His hoods fell forward and he pushed them out of his eyes. His hands curled into fists. This was important. He was a pilot. He needed his lunch and he needed his leather jacket. Eddie wrapped both hands around the closet doorknob and yanked, hard.

It opened, sprinkling bits of dust from the top of the door. They hung in the air for a long moment, not ready to fall, but then Eddie stopped looking because there it was, the jacket, dangling in front of him. It was wedged in between the button-up shirts and the dress pants. Eddie pulled it down.

He slipped his left arm into the black leather, then his right. It was heavier than he thought it would be, heavy and warm, tugging a little at his shoulders as if it was tired and wanted to lie down. Eddie thought about saying “Phase, two: complete.” He rolled the words around in his mouth and then swallowed them. He had to be quiet.

Lightning flashed through the window over Neil’s bed. The light caught the lip of the old fishbowl on the desk where Neil kept his guitar picks. Eddie went over to the fishbowl and poked it. It was the size of his head. An idea gripped him, suddenly. It was the size of his head. He lifted the fishbowl off the desk and tilted it over. The picks made a nice clinking sound as they hit the desk. One rolled under the bed. Eddie flipped the fishbowl upside down and lowered it onto his head. He was better than a pilot. He was an astronaut.

Eddie took a few steps back and turned to face the wall mirror next to Neil’s desk. He peered out at himself from under the fishbowl and the jacket and the raincoats. His preparations, he saw, were perfect. Eddie was waterproof, windproof, and gravity-proof. He waved at his reflection and his reflection waved back.

Astronauts were better than pilots. He could see that now. They were like regular pilots, except they were space pilots. They didn’t have to worry about hitting birds or the Eiffel Tower. Eddie nodded in agreement with himself. This was the right way to go. There was no rain in space, and no mud, probably. He would have to go there to be sure. It would all be okay. He would build a spaceship and fly to a better place, like Neil did. He would go to second grade after all, except it would be on Mars.

The fishbowl was fogging up from Eddie’s breath, and it was becoming harder to see. A malfunction, Eddie thought, his first astronaut malfunction. He would have to fix his equipment before takeoff. He took the fishbowl off of his head and was thinking about how best to fix it when the elastic on Neil’s hood gave way. As the hood fell over Eddie’s eyes, he dropped the fishbowl.

It fell with a crash and shattered. Shards flew everywhere, spattering the floor and the bedspread. Eddie screamed. He leapt backwards, tripped over a pile of laundry, and found himself on the floor. His ears rang with the impact and his back stung. The bed loomed over him. The ceiling was miles away. Eddie was too stunned to move. Mayday, he thought. Mayday.

Eddie heard footsteps on the stairs, and then in the hall, and then the door opened. His mother appeared in the doorway. Her hair was pulled into a loose bun out of her face. He saw her cheeks go white and then pink all at once.

“Eddie! What are you doing in here!?”

He forgot how to breathe. “I was just…I was just trying to…”

His mother’s eyes swept over the room, catching on the raincoat, the leather jacket, the orange candy jars, and the fishbowl scattered into glistening pieces all around.

“Why did you touch his…oh god, Eddie, you–”

“It was an accident, Mama, I didn’t mean to,” Eddie burst out, his voice getting higher and thinner, “I really wasn’t trying to do anything bad, I was just playing, I’ll fix it for when Neil comes home–”

She seemed to pinch inward. “Eddie, you know he’s not…” Her knees buckled and her fingers went white on the doorframe. Her nose twitched. She inhaled sharply, smelling the air that was full of Neil and now with Eddie. Her face hardened. “You can’t play in here.”

Sweat dripped down Eddie’s ribcage. “I’m sorry, I–I was just–I wasn’t trying to break anything…”

She took a few steps into the room, not looking at him. She straightened a book on the bookshelf, then put it back. Her eyes seemed far away. “Get out.”

“I’m sorry, Mama, I’m really sorry–”

She looked down at him, and her eyes were stones. “Get out of here, Eddie.”

He clambered to his feet. “I’m sorry, I–”

Don’t,” she said, cutting him off. “Just don’t.”

“Mama–”

“Get out,” she said, quiet and low, “of your brother’s room.”

She closed the door behind him. Eddie stood in the dark hall, alone. The house was quiet. The rain poured down outside. Eddie could hear it crashing down on the roof and slamming against the windows, and he could feel it burning out from his eyes even though he shut them as tight as he could. Under his eyelids, everything was mud.

Eddie slid the jacket off his shoulders. He unzipped the raincoats and let them fall to the floor. It was the last day of summer. It sounded like maybe it would rain forever, on the houses and the people in them and on everything, and there would never be anything but mud. On the other side of Neil’s bedroom door, his mother began to cry.


You can read more of Sarah’s work at https://www.sarahrichmanwriter.com.

The Lay of the Last Survivor by Alex Mullarky

Alex Mullarky is a writer from Cumbria, England, who studied English Literature at St Andrews. She now lives in Melbourne, where she has completed a Masters in Screenwriting and works part time as a journalist.

The Lay of the Last Survivor is a short piece of historical fantasy containing and inspired by Alex’s loose translations of a number of anonymous Old English poems such as Wulf and Eadwacer and Charm against a Wen as well as a passage from Beowulf and the Old Dutch text fragment Hebban olla vogala.


 

The Lay of the Last Survivor

 

I am Lunete, the fourth of that name.

Before me, my mother, Ishild; her mother, Else. My great-grandmother Lunete who brought her people to this land gave us her name.

Mine is Lorn; I am the last. I sing the song of my suffering.

Else taught me many songs. Our people sang when they reached this land, and called it Beortholt, for the sunshine and the trees. There are songs for all things. Songs for weaving, songs for harvest. When she spied a wen at the base of my thumb, my grandmother seized my hand, spat on it, and sang.

Wenne, wenne, wenchichenne,
You shall not build here, nor make your home.
Move you northwards to that near place;
There, ermig, you have a brother.
There shall I lay a leaf upon your head.
Beneath the wolf’s foot and the eagle’s wing,
Beneath the eagle’s claw you will wither away.
You will smoulder, like a coal upon the fire;
Like water in the pot, you will fade away.
You will become as small as the linsetcorn,
Smaller than the handwurmes hupeban,
Smaller still, until you are nothing.

She sang it with me again and again until I could recite the words alone. She made me a poultice with leaves of milkblue, with the feather and claw of an eagle, and the toe of a grey wolf, and the wen shrank away to nothing.

I do not have the voice of a blackbird, as they say of Anesa, but because of Else I know all the songs, and when the old woman died it was me they began to turn to with queries about the words. Later still, I began to think of my own words, my own tunes, and I intended to ask Anesa to learn them and sing them, and I hoped they would bring the others great joy.

All that has changed.

It was his singing that drew me in, or I would not find myself where I am today. But when I sat weaving amongst the trees that afternoon and I heard the paddling of an oar and that sweet voice rising over the water, I was spellbound. It was a tune I recognised, though I did not know it by heart; I had heard Else singing it gently as she laundered her clothes in the dusk once, but she had never offered to teach it to me. It went like this:

All the birds are building nests,
Except for you and me;
What are we waiting for, my love?
What are we waiting for?

It was the voice of a man who does not understand the words he is singing, heavily accented, with the words flowing into one another: ‘for-my-love’. I caught glimpses of him between the leaves as he paddled closer, and I believed him to have a wolf’s skin cast over his shoulders, hooded over his head. When a breeze sprang up and the ears flickered, it was the wind that stirred them, of course. It began to rain.

All that is in the past, now. I have had much time to think on that day, back when the beasts were only a dark song for dark evenings. Perhaps he knew then what he was bringing down upon me, upon himself. I knew nothing–and yet it is I who serve out my sentence in isolation. In a fortnight, they will carry my cub to the tor and expose it.

There is a song about the tor, but it is long, too long to work into my song about myself. They say there was once a wyrm who nested on this island, one of the old monsters from before the time of men. There beyond the trees he fell into a slumber so long and deep that the earth grew over him and his flesh dissolved into the soil. There is a tunnel that was his tail, and a cavern in the heart of the hill where his ribs are a vaulted ceiling. But the entrance to the tunnel is a secret. It is never safe to venture into the belly of a dragon, however long it sleeps.

I hear a call outside. I hope my song will not be cut short.

It is quiet.

I should begin with Beortholt, since this island’s history is also my history. Lunete, my grandmother, was one of the five who brought their families here from the mainland many years ago, taking to the water for the first time in their people’s history. From there Beortholt’s song is swift and short: a small people surviving; then, as generations passed, a larger people prospering, trading, spreading to the small daughter islands. A thriving community with much wealth gathered, we named ourselves the Eadwacer: the watchers, guarding what is ours very closely.

And then came the beasts.

I knew the songs of battle but I had never witnessed one for myself before last autumn when the beasts reached our shores.

My song is not a battle song, though battles litter it. They were driven off that day, when my mother put a spear in my hand and thrust me out of the door to face the wolves. It was his face I was confronted with then, and already they were withdrawing. They made their camp on the nearest uninhabited island, deep in the fen country, and when they attacked again the following day, my wolf was not with them.

Then the weather turned and there they stayed for the winter, enemies at our door, and we kept wary eyes on one another, and my belly began to swell.

In spring the attacks began afresh. A tradition was born then, when old Rina wore the antlers of a stag into the fight. Before, we were a peaceable people, with no need for battle customs. Now when the cry goes up, the men and women of Beortholt reach for the antlers they keep on a high shelf and fasten them to their heads. I wear them nestled in my hair like a crown. Good for stabbing out an eye while thrusting a knife in. I saw Rina measure herself up against their leader, his sharp beak and her heavy head of antlers, he shaking out the feathers of his massive wingspan, she shifting her furs back on her shoulders. They were too well matched; both of them live still, though scarred.

When they came sailing towards us in their long ships we lined up on the shore and I sang my charm, made new, under my breath.

Wenne, wenne, wenchichenne,
You shall not build here, nor make your home.
Go back, ermig, to your brothers in the north.
They will lay leaves upon your chief.
Under the feet of wolves, under the wings of eagles,
Under the eagle’s claws my people weaken.
May you smoulder, like coals upon the fire.
Like water in the pot, may you fade away.
Your deeds smaller than the linsetcorn,
Your men among worms in the earth.
So little. May you come to nothing.

We are all too well matched. Three times they met us in battle; three times they withdrew as night fell and we took the advantage in the night-time landscape we could navigate in our sleep.

I did not see my wolf again on the battlefield, but my swelling stomach began to draw attention. Questions were asked; we are a small community, they are bound to be. No one came forward as the father and I offered no help to those who would pry. At last old Ninian ordered that I should be brought to him, and he took one look at me and recoiled in disgust, and announced, ‘It is one of theirs’.

That seems a very long time ago, now. It must be two months or more. My time is very close. I feel the babe clawing to be free; it has claws, certainly. I hope he will have ears like his father’s. I think when they learned what the wolf had done, they locked him away, as the Eadwacer have done to me. They do not intend to kill me, but when the child is born they will expose it at once; old Ninian told me so.

It is a funny thing. I have faith in my wolf, though I knew him only briefly. He has kind eyes, and the hair of his beard is very soft. He will make certain our cub survives.

I think perhaps the song is ready.

He will be given to my elders like an offering.
If he comes with his men, they will swarm him.
We are distant.
The wolf is on one island, I on another.
His island is secure, deep in the fens.
The people of that island are savage.
If he comes with his men they will turn on him.
We are different.
I have thought long on my far-wandering wolf,
On the day when fierce tears joined the rain,
When the wolf of war brought me into his arms.
He was a comfort to me, then
–and likewise hateful to me.
Wolf, my wolf, who corrupted me.
It is not the starvation that disquiets me.
Do you hear me, Eadwacer?
A wolf will carry our cub to the forest.
You may readily tear apart a thing which could never be joined
–our songs together.

I hear a sound. I think it is laughter.

No. Not laughter. Shouts.

I hear footsteps and I recognise their timbre. My mother, Ishild, unlocks the door. ‘You must run,’ she says. When she speaks again I do not hear her. I crumple to the floor. I am splitting in two.

My mother kneels down beside me at once, lies me back with gentle hands. ‘The child chooses its timing poorly,’ she says. She locks the door and washes her hands in the pail.

For the next hour my screams almost drown out the clamour beyond the locked door. Beyond the pain in my own body, I understand that there is turmoil outside, and slaughter.

What a moment to be born, my cub!

When finally it is over, my mother thrusts the babe into my arms and rips the cord that joins us with her teeth. I cry out, in horror, not pain. ‘Run,’ my mother breathes, and she unlocks the door and vanishes into bright white sunlight.

‘Mother,’ I cry after her.

I have a screaming child in my arms, but the air is thick with shrieks and cries. I wrap the babe carefully in the blanket that I have slept wrapped in over these past months. She will know her mother’s smell, at least, for it is a girl I swaddle tightly. I clutch her to my chest and, stumbling, climb to my feet.

My eyes cannot cope with the brightness of the sun until I am surrounded by it. Old Ninian is dead at my feet, his throat torn open by teeth. I suck in a breath and cover the baby’s eyes lest it fathom something of what it sees. The dwelling in which I was kept is some stretch from the settlement, separated by distance and a clutch of trees. I hold the girl tight to my chest and stride between gnarled trunks. I flinch at every twig-snap, but the beasts are not in the forest.

They are in the village. The grass is littered with bodies, the paths that generations since my great-grandmother have worn down are smeared with blood. The sight makes my stomach turn. The people I have known all my life–everyone I have ever known–cut down as they ran, lying where they fell in grotesque parodies of flight. I watch as an axe is thrust between a woman’s shoulders by a man with the black feathers of a raven spreading from his arms. The woman’s cry curdles my blood, and she falls, twitching. She was the last.

No. I am the last.

The beasts stand together, surveying their work. There is not an antler among the dead. How were they able to set upon my people with no warning?

They are discussing the dead; I see it in their gestures. Who will loot the bodies, perhaps. Who will finish off those who still breathe. An eagle squawks in anger. I gather myself together. I should be splitting at the seams with rage. Instead I feel cold, and very calm.

I step towards them. A hand closes on my forearm before I can raise my other foot and I turn quick as a startled doe to face my wolf.

He is distressed. I do not understand his words, but his tone is clear. His eyes are wide looking at the babe I hold, the girl-child who squirms and attempts to suckle. He reaches for it, and I press it close to my chest. I wrench myself back. My foot catches, and I stumble. I land on my back and the child falls from my arms.

The wolf picks it up. He cradles it gently, cooing to it. He offers me a hand. By some miracle we have not yet been noticed by the others. I begin to pick myself up. My hands are wet with blood, my body twisted up over a corpse on the ground. I scramble away from it, horrified. Then I cry out, a long, low wail.

It is my mother, Ishild. Her face is broken and bloody. She stares at me in terror.

The wolf speaks more urgently now, grabbing for me, as the beasts take note of our presence. I claw at him, push him away, and then I drag my fingers through my hair and tear, howling like an animal. The wolf backs away from me. Blood runs from my scalp onto my face, and I grab more fistfuls and pull again.

The wolf has my child. I reach for it, and he holds it away.

The beasts do not care about me. They have begun to search the houses. I know what they seek; they won’t find it there.

The wolf lays a hand against my cheek. I turn sharply and sink my teeth into it. He flinches. His eyes are full of dismay. He backs off a few paces, begins to walk away, then runs. He has taken my child.

My mother lies broken beside me. I dig my nails deep into the skin of my cheeks and keen.

Tripping, falling, I run through the trees towards the tor. It rises above the leaves like a beacon. I have entered the belly of a dragon once before, on the day when old Else showed me where the accumulated wealth of the Eadwacer was safeguarded. I find the opening in the hill, the sliver of cave that cannot be seen from almost any angle. I push my body through it. In the darkness on the far side I feel for the pile of stones that has been left here with just this situation in mind. One stone at a time, I wall myself into the barrow.

In the darkness you cannot see the glint of gold, but you can feel it, cold and hard beneath seeking hands. I half-climb, half-wade into it, singing as I go, part charm, part keen.

Heald ðu nu, hruse, what watchers could not–
The harp is silent, the music gone.
The hawk has flown from the hall.
The swift mare fled from the courtyard.
Bealocwealm hafað
fela feorhcynna forð onsended.

I sink deep into the hoard, roll golden coins across my bare skin. It is so very dark.

I wait–a long time indeed. I hear nothing but the deep silence of the tor.

At last I feel the rage begin to burn into me, where before there was only coldness. It resonates through me until I am humming with it. My flesh is burning. If I open my mouth my breath will be flame. If I open my arms the skin will fall away and my wings unfurl.

I am Lorn, the last of the Eadwacer.

It is very dark. I think I will sleep.


This piece was based off of a society with a strong oral tradition; to honor that tradition, a reading of this piece by Caterina Giammarresi is available here. More information about Alex Mullarky and her work is available on her website, www.alexmullarky.com.

Review: Trainspotting 2 by Gina Maya

Gina Maya is a Welsh writer and trans activist, currently studying for her PhD in Transgender Narratives in Popular Culture at Edinburgh University. As well as being a nostalgist for 1980s American football, she loves movies and writes about her experiences in Edinburgh’s cinemas.

This review contains spoilers for Trainspotting 2. The opinions expressed in this piece are those of the author and not necessarily of The Ogilvie editorial staff.


 

Trainspotting 2 (T2) at the Cameo Cinema

 

The screening rooms for T2 continue to be full in Edinburgh. Is it the shots of the city that make this more than just a film, as if we’re almost in the story? The protagonists on Arthur’s Seat, reflecting on life the way we do; the bar fight in a run-down pub, a reminder of another side to this gentrified student city that many of us never see. This feeling of familiarity might be the closest some of us ever come to being in a movie, and if this sounds melancholic, it’s a perfect place to talk about the film.

T2 is a story about men. Jaded, frustrated and just a little anxious with a fifth decade of life looming without achievement, fame or money, or even a settled family life or career. I did think about Fight Club (1999), and the men who make up the all-singing, all-dancing crap of the world. Here, though, in T2, we have a poignant potential for friendship and hope to accompany the threat of violence that wafts through the film from time to time.

We also have betrayal, the one that ended the original Trainspotting in 1996. It lies at the heart of the sequel as Ewan McGregor’s Renton returns from the Netherlands, twenty years on from his theft of his friends’ drug money, to confront the past, and with it three former friends nursing grievances to different degrees. Logically, they should hate him, and predictably, the psycho of the group, Begbie, summons rage that can only be sated by Renton’s brutal death. That, then, is the main plot, but T2 is about much more than the obvious cause-and-effect. In fact this is a film in which three of the four forty-something men face up to the emptiness of their lives, and the friendships that might give them salvation.

Ultimately, then, the extremities of that first Trainspotting, with its drug- and alcohol-fuelled surrealism and violence, is replaced by pastel shades. If the 1996 movie features the dehumanizing of a gang of men via different substances, T2 is the gradual reversion to humanity. Even the obnoxious Begbie has his moment towards the end, a brief understanding of his flawed masculinity. Of the others, the character Spud enjoys some of the film’s tenderest scenes. We get glimpses of his sensitive, perceptive nature, the driving force behind a desire to commit suicide early on, in awareness of the shame he causes his wife and son. We get his rescue at the crucial point by Renton, back from Amsterdam. Spud, of course, forgives him as is his nature. The other, more complex friendship concerns Renton and his one-time best-friend ‘Sick Boy’ Simon. The film dabs our screens with childhood photos of Renton and Sick Boy in their football tops, with the world at their feet. The film returns us there, full-circle, to the denouement.

For all the references to the past, though, T2 is not sentimental; beyond Begbie’s violence, more comedic than horrific in this sequel, I found this a moving and even uplifting depiction of middle-age men who manage to confront their underwhelming lives and find their own personal redemption.


You can follow Gina’s reviews, as well as her weekly diary posts on her transitioning, at her website: www.ginamaya.co.uk.

The Washing Cycle by Pauline Jérémie

Born and raised in France, Pauline holds a Masters in Creative Writing with distinction from the University of Edinburgh. After living in many different countries, she now lives, works, and writes in the Scottish capital.


 

The Washing Cycle

 

There was blood on Karen’s daughter’s underwear. It had gone through the cotton and appeared on the outside of the white knickers, and dried and rendered the garment thick on the patch that had fit between Emma’s legs. Alone in the bathroom, Karen allowed herself to run the tips of her fingernails along the caked blood; her hands were reddened by the chemicals she’d been using to clean the bathroom this morning, and she felt nothing but stiffness under her fingertips. She dropped the garment back into the basket with the rest of the dirty clothes she’d picked up around the house—her daughter’s football uniform, a white top with foundation on its collar, Michael’s work shirts that he’d left on the dressing table chair—and made her way down the two flights of stairs to the basement.

Apart from the sound of the radio, which was playing some pop star’s new single from the living room, the house was quiet. Michael was at work and Emma locked up in her room. They had argued last night at dinner, Emma’s interjections the typical ones of a teenager who believes that she’s misunderstood, Michael’s the unhelpful ones of a father who spends too little time with his family to know what is actually happening. Karen had tried to calm everyone down but the conversation had still ended with the slamming of Emma’s door and Michael’s frustrated grunts. He had cleared the table and washed the dishes with barely concealed anger, gone to bed before Karen, and left for work without speaking a word to either of them.

As she passed by her daughter’s room, Karen noticed that the “Do not disturb” sign was still up on her door, the three words written across a simple sheet of paper wrinkled by the years of use. There was not a sound coming from inside—Emma must have been on her laptop listening to music through her headphones at a level that Karen knew she would probably disapprove of. Karen would try to talk to her later and offer that they order sushi and watch some TV together. Everything would be fine.

Karen’s slippers whispered against the steps that led to the basement. She balanced the basket between her hip and elbow, turned on the light, and walked up to the washing machine. The room was silent and smelled of laundry detergent and fresh linen. Another basket of clean clothes that she hadn’t yet had time to fold was sitting on the ironing board and a few of Michael’s shirts were still hanging from coat hangers waiting to be ironed. The basement was full of cardboard boxes that contained objects that they didn’t need anymore which Karen needed to sort through, and a few of Emma’s old baby clothes and toys that she couldn’t bring herself to get rid of. The shelf against the left wall was still covered in photo albums, books, and strange owl figurines that they’d got back from Michael’s mum’s house after she’d passed away which he’d promised he’d take care of a while ago, just like the humidity stains on the ceiling and the dodgy pipes that had been needing fixing for a few years now.

Karen deposited her basket on top of the washing machine and picked Emma’s underwear back up. The stain would probably never come off, she realised, and for a moment she considered just throwing them away, but she thought she should at least try. She opened the cupboard above the machine, took out a plastic box full of cleaning products, and picked out a half-empty tube of toothpaste along with an old toothbrush whose bristles had gone flat from use. She applied a thick layer of toothpaste onto the stain and starting brushing it into the fabric, just like her mother had taught her all those years ago.

She had taught her many more things, and Karen often wondered if her life would be any different if she had listened to her mother’s lessons more attentively. She would maybe not have waited such a long time to get married, would not have put her career before her family. She would maybe have listened when she began hearing people say, “you guys would make such great parents”, or when Michael’s mother started asking when they were finally going to give her grandchildren. She remembered that time when she thought that they had their lives ahead of them, and she remembered it bitterly.

The stain was already fading beneath Karen’s fingers. The minty smell of toothpaste tickled her nostrils and blood was running off the stain to lodge itself underneath her nails. Karen remembered when she was younger and had to take care of the bloodstains on her own underwear, back when she thought that having her period was a curse and hated the idea that she would have to deal with it for the rest of her life. Now she would have done anything to wake up and see blood between her legs.

They had tried to have more children. They had tried so hard Karen still didn’t understand why it hadn’t worked. Michael had always wanted a boy. He’d made a list of names he liked—names taken from old school friends, or books he’d read, or conversations he’d overheard in the streets—and Karen had found it ripped to pieces at the bottom of the bin about a year ago. When Karen was pregnant they had refused to learn the sex of the baby and had agreed on a light green for the room, but Michael had still bought a blue sleep suit with tiny anchors on the front, which lay at the bottom of the pile of Emma’s baby clothes with the price tag still attached to it. He had never been disappointed that Emma was a girl and kept telling Karen that there was still plenty of time for them to have a boy—except there wasn’t any time left now. There was no longer any blood, and there would never be another baby. There would never be a little boy.

Karen realised that she’d been brushing the fabric so hard that it had started pilling, so she set the toothbrush aside and chucked Emma’s underwear into the washing machine, where it landed with a soft thump. Her hands were trembling now, and she had to put both her hands flat on top of the machine for a moment to calm herself down. She could hear her heartbeat inside her ears and feel a lump in her throat as her eyes started to prickle, but she swallowed hard past it once, then twice, then took in a deep breath, and she felt better. Everything would be fine.

Looking out the small window at the top of the wall, she noticed for the first time that day that it was raining. It was a Saturday in mid-June, and the sun should have been shining and the streets packed with children playing, mothers reading out on their porches, and fathers tending to their cars and gardens, but instead the street was grey and empty, the sound of the drops falling onto the roofs of cars the only thing to be heard.

With a sigh, she focused back on sorting the clothes out. Whites into the machine, colours in the basket. She inspected a couple of Michael’s white shirts. One of them had a red stain on the front near the fourth button, certainly a dash of ketchup from the sandwich she’d prepared for him last Tuesday; the other showed a mark too, on the collar this time—a burgundy, glittery, faded smear. She had seen a few of these before on his button-ups, and Karen knew they disappeared really well with her regular stain remover. She dabbed the stains with product and threw them into the drum, where they joined Emma’s stained underwear; she added the foundation-coloured white top and a few of Michael’s tennis socks, and started a quick wash at sixty degrees. She had dealt with this before. She knew what she was doing. Everything would be fine.

As water started pouring into the machine, Karen went back up the stairs into the kitchen, bringing with her the basket of clean laundry and setting it on the dining table. She still had plenty of things left to do before Michael came home from work tonight, but he had been working on demanding cases lately and often left the office long after Karen and Emma had gone to bed. Then, in the dimness of their bedroom, Karen would watch him undress slowly, his movements languid and reluctant, and he would join her in bed, his body still fresh from outside and his breath smelling of whiskey. Karen had a feeling he always knew she wasn’t asleep, but they never talked.

They used to. They would have conversations for hours on end, at the breakfast table, in the car, in bed after Emma had fallen asleep and the house was quiet and undisturbed. He would tell her about his cases, about that article he’d read at lunch in the newspaper she’d packed in with his meal, and most importantly he would ask her about her day and pay attention when she said that she’d met with Lilian for coffee, or had a chat with Emma about a boy from her class she liked, or watched a movie that had made her cry. Now she never heard about Michael’s clients, or whom he’d gone to lunch with, or what his boss had thought of the outcome of his latest case. Now there was just silence.

The radio was still playing music in the living room, and Karen looked at the checklist in front of her. She needed to pick up Michael’s dry cleaning, go grocery shopping, and take the dog out for a walk. The house was a mess too and Michael hated coming home to a dirty place, so she would need to tidy everything up before he got back. The kitchen didn’t require much attention, but she still needed to hoover the carpet, dust the shelves, unload the dishwasher, change their bed sheets.

Just thinking about her tasks exhausted her, and Karen automatically took out a glass from the cabinet and the bottle of Côtes de Bergerac she’d opened last night and poured herself a large glass. The condensation made the liquid look hazy and the glass still showed a trace of red lipstick on the brim. She looked at the clock and failed to feel guilty for having a drink at two in the afternoon. She didn’t even mind the fact that at any time Emma could stumble down the stairs into the kitchen and walk in on her mother getting drunk in the middle of the day. Instead, she took a sip, relished the feeling of the alcohol going down her throat, and put the drink back down next to the sink with a soft click.

She was tired. She wished that Emma would come out of her room and offer her help and chat with her as they cleaned together. She wished that Michael would come home earlier tonight, have dinner with them, and finally agree to touch her body under the blankets at night. She wished that there was noise in the house, footsteps and laughter and singing, that they would start watching television together again like they used and that Michael would prepare the fish pie he was so good at making and hadn’t cooked in years.

Karen took another sip of wine, a bigger one this time that burned when she swallowed, and hesitated a minute before opening the last drawer on the left of the kitchen counter. She fumbled through broken scissors, hotel matchboxes, user guides for objects that they didn’t own anymore, until she found what she was looking for. She had put the pack of cigarettes there a long time ago and the paper had yellowed and the tobacco dried, but she couldn’t have cared less in that moment. She took a match out of one of the boxes, which they had been given at a cottage in Devon many years ago, and lit a cigarette. It was her first one in such a long time that it burned her throat and brought tears to her eyes when she took the first drag, but after a couple more she found that pleasant feeling again, the familiar hand gesture, the bitter smell. She walked up to the sink, opened the window, dropped her ashes down the drain, and relaxed against the counter.

After years of trying, Michael’s mother had suggested, in that nagging voice of hers, that things might work better if they both gave up smoking, that she had read somewhere that nicotine decreased fertility, so Karen and Michael had both worn patches and chewed gum for months with the conviction that it could only help. But it hadn’t and right now Karen resented her mother-in-law for keeping her away from her cigarettes for so long, because although Karen’s lungs were clearer now, the house was still quiet, the third room still empty, and that blue sleep suit still laying unused at the bottom of a cardboard box.

With the back of the shaky hand with which she was holding her cigarette, Karen wiped at her eyes with more strength than she had intended to, leaving a smear of black mascara on her red, irritated skin. She took a few more drags from the cigarette before putting it out against the side of the sink, and chucked the butt out of the open window. Outside, the rain had stopped.

She took a deep breath, ignored the dryness of her mouth and the way her nostrils tickled, turned around, and started sorting through the clean clothes she had brought up with her and left on the kitchen table. She made three piles, one for each of them, and then went up the stairs and put them away in their respective wardrobes. She left Emma’s in the basket outside her door, not yet willing to face her, but she knew everything would be fine.

When she was done, Karen made her way back to the basement and put the wet clothes in the dryer. Inside, amongst a heap of button-ups and isolated socks, lay a blood-stained pair of underwear.


Pauline can be reached on Twitter, @paulinejeremie, or by email at pauline.jeremie@gmail.com.